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GEMÜTLICHES TIEFES BETT ÜBER FLAUSCHIGE WOLKEN BEI NACHT

Gemütliches tiefes Bett über flauschige Wolken bei Nacht (KEYSTONE/CHROMORANGE/Besa Art)

GEMÜTLICHES BETT DAS VON HIMMELSLATERNEN BELEUCHTET WIRD. DAS BETT FLIEGT ÜBER FLAUSCHIGE WOLKEN IN DER NACHT

Gemütliches Bett das von Himmelslaternen beleuchtet wird. Das Bett fliegt über flauschige Wolken in der Nacht (KEYSTONE/CHROMORANGE/Besa Art)

GEMÜTLICHES SOFA MIT FLIEGENDEN KISSEN ÜBER FLAUSCHIGEN WOLKEN BEI NACHT

Gemütliches Sofa mit fliegenden Kissen über flauschigen Wolken bei Nacht (KEYSTONE/CHROMORANGE/Besa Art)

GEMÜTLICHES SOFA ÜBER FLAUSCHIGE WOLKEN BEI NACHT

Gemütliches Sofa über flauschige Wolken bei Nacht (KEYSTONE/CHROMORANGE/Besa Art)

GEMÜTLICHES BETT ÜBER FLAUSCHIGE WOLKEN IN DER NACHT

Gemütliches Bett über flauschige Wolken in der Nacht (KEYSTONE/CHROMORANGE/Besa Art)

GEMÜTLICHES BETT, VON EINER LAMPE BELEUCHTETEN BETTES,FLIEGT ÜBER FLAUSCHIGE WOLKEN IN DER NACHT

Gemütliches Bett, von einer Lampe beleuchteten Bettes,fliegt über flauschige Wolken in der Nacht (KEYSTONE/CHROMORANGE/Besa Art)

GEMÜTLICHES BETT, DAS VON HIMMELSLATERNEN BELEUCHTET WIRD. DAS BETT FLIEGT ÜBER FLAUSCHIGE WOLKEN IN DER NACHT

Gemütliches Bett, das von Himmelslaternen beleuchtet wird. Das Bett fliegt über flauschige Wolken in der Nacht (KEYSTONE/CHROMORANGE/Besa Art)

GEMÜTLICHES BETT ÜBER FLAUSCHIGE WOLKEN IN DER NACHT

Gemütliches Bett über flauschige Wolken in der Nacht (KEYSTONE/CHROMORANGE/Besa Art)

GEMÜTLICHES BETT ÜBER FLAUSCHIGE WOLKEN IN DER NACHT. BELEUCHTET VOM GROSSEN MOND

Gemütliches Bett über flauschige Wolken in der Nacht. Beleuchtet vom großen Mond (KEYSTONE/CHROMORANGE/Besa Art)

GEMÜTLICHES BETT ÜBER FLAUSCHIGE WOLKEN IN DER NACHT

Gemütliches Bett über flauschige Wolken in der Nacht (KEYSTONE/CHROMORANGE/Besa Art)

GEMÜTLICHES BETT ÜBER FLAUSCHIGE WOLKEN IN DER NACHT

Gemütliches Bett über flauschige Wolken in der Nacht (KEYSTONE/CHROMORANGE/Besa Art)

DEUTSCHLAND TAG DER PHYSIK UND ASTRONOMIE IN JENA

19.03.2024, Thüringen, Jena: Forscher starten einen Stratosphärenballon auf dem Dach des Hauptgebäudes der Physikalisch-Astronomischen Fakultät der Friedrich-Schiller-Universität Jena. Die Fakultät hat am Tag der Physik und Astronomie in Jena zum Schnuppern in der Wissenschaft, im Studium und im Berufsleben eingeladen. Geboten werden Mitmachexperimente, Vorträge und Laborführungen. (zu dpa: «Jenaer Physiker lassen Ballon in die Stratosphäre steigen») Foto: Martin Schutt/dpa +++ dpa-Bildfunk +++ (KEYSTONE/DPA/Martin Schutt)

DEUTSCHLAND TAG DER PHYSIK UND ASTRONOMIE IN JENA

19.03.2024, Thüringen, Jena: Forscher starten einen Stratosphärenballon auf dem Dach des Hauptgebäudes der Physikalisch-Astronomischen Fakultät der Friedrich-Schiller-Universität Jena. Die Fakultät hat am Tag der Physik und Astronomie in Jena zum Schnuppern in der Wissenschaft, im Studium und im Berufsleben eingeladen. Geboten werden Mitmachexperimente, Vorträge und Laborführungen. Foto: Martin Schutt/dpa +++ dpa-Bildfunk +++ (KEYSTONE/DPA/Martin Schutt)

DEUTSCHLAND TAG DER PHYSIK UND ASTRONOMIE IN JENA

19.03.2024, Thüringen, Jena: Blick auf das Hauptgebäude der Physikalisch-Astronomischen Fakultät der Friedrich-Schiller-Universität Jena. Die Fakultät hat am Tag der Physik und Astronomie in Jena zum Schnuppern in der Wissenschaft, im Studium und im Berufsleben eingeladen. Geboten werden Mitmachexperimente, Vorträge und Laborführungen. Foto: Martin Schutt/dpa +++ dpa-Bildfunk +++ (KEYSTONE/DPA/Martin Schutt)

DEUTSCHLAND TAG DER PHYSIK UND ASTRONOMIE IN JENA

19.03.2024, Thüringen, Jena: Blick in den großen Hörsaal im Hauptgebäude der Physikalisch-Astronomischen Fakultät der Friedrich-Schiller-Universität Jena. Die Fakultät hat am Tag der Physik und Astronomie in Jena zum Schnuppern in der Wissenschaft, im Studium und im Berufsleben eingeladen. Geboten werden Mitmachexperimente, Vorträge und Laborführungen. Foto: Martin Schutt/dpa +++ dpa-Bildfunk +++ (KEYSTONE/DPA/Martin Schutt)

DEUTSCHLAND TAG DER PHYSIK UND ASTRONOMIE IN JENA

19.03.2024, Thüringen, Jena: Forscher starten einen Stratosphärenballon auf dem Dach des Hauptgebäudes der Physikalisch-Astronomischen Fakultät der Friedrich-Schiller-Universität Jena. Die Fakultät hat am Tag der Physik und Astronomie in Jena zum Schnuppern in der Wissenschaft, im Studium und im Berufsleben eingeladen. Geboten werden Mitmachexperimente, Vorträge und Laborführungen. Foto: Martin Schutt/dpa +++ dpa-Bildfunk +++ (KEYSTONE/DPA/Martin Schutt)

DEUTSCHLAND TAG DER PHYSIK UND ASTRONOMIE IN JENA

19.03.2024, Thüringen, Jena: Forscher starten einen Stratosphärenballon auf dem Dach des Hauptgebäudes der Physikalisch-Astronomischen Fakultät der Friedrich-Schiller-Universität Jena. Die Fakultät hat am Tag der Physik und Astronomie in Jena zum Schnuppern in der Wissenschaft, im Studium und im Berufsleben eingeladen. Geboten werden Mitmachexperimente, Vorträge und Laborführungen. Foto: Martin Schutt/dpa +++ dpa-Bildfunk +++ (KEYSTONE/DPA/Martin Schutt)

JELLYFISH NEBULA IN CONSTELLATION GEMINI

Jellyfish Nebula in constellation Gemini (KEYSTONE/WESTEND61/CHRISTIAN ZAPPEL)

PATH OF ROSA'S COMET FROM AUG, 30 TO SEPT. 5, 1862. CREATOR: UNKNOWN.

Path of Rosa's comet from Aug, 30 to Sept. 5, 1862. From "Illustrated London News", 1862. Path of Rosa's comet from Aug, 30 to Sept. 5, 1862. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

HEAD OF ROSA'S COMET, AUG. 19, MIDNIGHT, 1862. CREATOR: UNKNOWN.

Head of Rosa's comet, Aug. 19, midnight, 1862. From "Illustrated London News", 1862. Head of Rosa's comet, Aug. 19, midnight, 1862. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

ROSA'S COMET ON AUG. 19, AS VISIBLE TO THE NAKED EYE, 1862. CREATOR: UNKNOWN.

Rosa's comet on Aug. 19, as visible to the naked eye, 1862. From "Illustrated London News", 1862. Rosa's comet on Aug. 19, as visible to the naked eye, 1862. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

PATH OF THE COMET NOW VISIBLE, 1862. CREATOR: UNKNOWN.

Path of the comet now visible, 1862. The comet discovered by Rosa, at Rome, on July 25, is now a conspicuous object in the northern heavens, and was plainly visible to the naked eye on August 3...It will be seen from the accompanying chart that it is not far removed from the positions of the great comet of 1861, although, of course, this is quite fortuitous, and the two objects are entirely distinct and different...The telescopic appearance of the comet is very remarkable, and will, doubtless, be narrowly watched by astronomers...It is almost a perfect facsimile of Halley's comet, as seen on Oct. 8, 1835, by Struve, resembling it both in the luminous sector and in the narrowness of the tail'. From "Illustrated London News", 1862. Path of the comet now visible, 1862. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

ROSA'S COMET, AUG. 3, 12.30, 1862. CREATOR: UNKNOWN.

Rosa's comet, Aug. 3, 12.30, 1862. 'The comet discovered by Rosa, at Rome, on July 25, is now a conspicuous object in the northern heavens, and was plainly visible to the naked eye on August 3...From its situation in the sky it is very easily found: we have only to look between the well-known pointers and the equally well-known polestar, to discover its whereabouts...The telescopic appearance of the comet is very remarkable, and will, doubtless, be narrowly watched by astronomers. On Aug. 3, about half an hour after midnight, the nucleus was very distinct and bright, A faint jet of light was noticed as proceeding from it towards the left, and this was in every respect similar to the fintail, or sector of light, seen to such perfection in Donati's and the last great comet. The tail was faint, very slender, and quite straight, and the head was attached to it like a bulbous root to a slender stalk...It is almost a perfect facsimile of Halley's comet, as seen on Oct. 8, 1835, by Struve, resembling it both in the luminous sector and in the narrowness of the tail. The accompanying drawing of the comet and neighbouring stars was made by the aid of an excellent five-foot telescope (equatoreally mounted)'. From "Illustrated London News", 1862. Rosa's comet, Aug. 3, 12.30, 1862. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

A DEPARTURE FROM PALMYRA, BY CARL HAAG, IN THE EXHIBITION OF THE SOCIETY OF PAINTERS..., 1862. CREATOR: UNKNOWN.

A Departure from Palmyra, by Carl Haag, in the exhibition of the Society of Painters in Water Colours, 1862. 'We have rarely seen a drawing so small as that we have engraved so full of life, character, and couleur locale. We seem to be actually present amid all the bustle, excitement, shouting, and tom-tom playing of the Arab caravan as it starts on its journey in the cool night from the halting-place among the colossal columns and gigantic ruins of the great city of the desert, behind which we see the sun sinking in unclouded splendour. The camels, with their well-stocked and well- balanced panniers, gaily caparisoned and heavily betasselled, seem to share the general excitement as they toss about their very queer but very sagacious-looking heads and sniff the cooling evening air. The foremost mounted Arab with the long nargileh, giving directions to the Nubian behind and preceded by the black boy and a water-carrier, also provided with a pipe, appears to be the chief of the tribe or party. A woman, his wife, probably, and her child are mounted on another camel. Her face is masked by the bourkh or face-veil worn in the East'. From "Illustrated London News", 1862. A Departure from Palmyra, by Carl Haag, in the exhibition of the Society of Painters..., 1862. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

RICHMOND CASTLE, YORKSHIRE, BY G. DODGSON, IN THE EXHIBITION OF THE SOCIETY OF..., 1862. CREATOR: MASON JACKSON.

Richmond Castle, Yorkshire, by G. Dodgson, in the exhibition of the Society of Painters in Water Colours, 1862. 'We engrave this drawing not only because it is a favourable example of the artist's tender and beautiful execution, but because the oft-painted scene is represented from a new point of view and with a novel effect - that of moonlight. The view is taken from the banks of the Swale below Richmond Castle: the ruin is therefore on the left of the spectator. The shimmering, uncertain effect of moonlight is very happily conveyed by an indefinable stippled tremulousness of touch peculiar to the painter. The leaves tremble and the river flows flickeringly and waveringly in the mellow radiance. The artist must have seen the effect he so well suggests on some July midnight...Richmond Castle, perched so picturesquely on an almost perpendicular rock about 100ft. above the bed of the river, is of rare antiquarian interest. The bold Norman keep of the castle, with its walls nearly 100ft. high and lift, thick, is still almost entire, as we see in our Engraving'. From "Illustrated London News", 1862. Richmond Castle, Yorkshire, by G. Dodgson, in the exhibition of the Society of..., 1862. Creator: Mason Jackson. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

THE CONVENT SHRINE BY FRANK WYBURD, IN THE GALLERY OF THE BRITISH INSTITUTION, 1862. CREATOR: W THOMAS.

The Convent Shrine by Frank Wyburd, in the Gallery of the British Institution, 1862. Engraving of a painting. 'This is a charming and picturesque little composition, imbued with that pious and romantic character which Mr, Wyburd loves to deal with. In an ancient convent of rude structure a nun is kneeling, telling her beads before the shrine of a saint; two other young females, whose faces denote a reverential and serious turn of thought, completing the group. "And the hymn of the nuns was heard the while, Sung low in the dim, mysterious aisle". The shrine is lighted by a lamp, unseen by the spectator, whose flickering rays fall upon the foreground with illusive effect. In the background is a landscape of lake and mountain enveloped in the cold grey hue of night or early morning. Everything in this picture is finished with admirable taste and feeling'. From "Illustrated London News", 1862. The Convent Shrine by Frank Wyburd, in the Gallery of the British Institution, 1862. Creator: W Thomas. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

IN THE SUN, (C1920S) CREATOR: IDA ELÉONORA DE SCHULZENHEIM.

In the sun, (c1920s). Female pointer with pup watching for flying ducks. In the sun, (c1920s) Creator: Ida Eléonora de Schulzenheim. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

LANDSCAPE, 1936. CREATOR: GOTTFRID KALLSTENIUS.

Landscape, 1936. Landscape at sunset, mountain formations and a tall pine on the left, in the background a lake. Landscape, 1936. Creator: Gottfrid Kallstenius. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CYCLISTS IN THE STUDIO; TWO MEN WITH BICYCLES, 1890-1910. CREATOR: LARS OLSSON AKERMAN.

Cyclists in the studio; two men with bicycles, 1890-1910. Cyclists in the studio; two men with bicycles, 1890-1910. Creator: Lars Olsson Akerman. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ANCIENT TOMB IN THE CAMPAGNA (?), UNDATED. (C1860S) CREATOR: MARTIN MEYER.

Ancient tomb in the Campagna (?), undated. (c1860s) Ancient tomb in the Campagna (?), undated. (c1860s) Creator: Martin Meyer. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

WALK ALONG THE KROTTENBACH, 1907. CREATOR: ANTON HLAVACEK.

Walk along the Krottenbach, 1907. Walk along the Krottenbach, 1907. Creator: Anton Hlavacek. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

MOONLIT NIGHT (CANAL LANDSCAPE WITH WINDMILLS AND SHIPS), UNDATED. CREATOR: REMIGIUS ADRIANUS HAANEN.

Moonlit night (canal landscape with windmills and ships), undated. Moonlit night (canal landscape with windmills and ships), undated. Creator: Remigius Adrianus Haanen. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SELENE AND ENDYMION, C1770. CREATOR: UBALDO GANDOLFI.

Selene and Endymion, c1770. Selene and Endymion, c1770. Creator: Ubaldo Gandolfi. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

BAIKAL NEAR THE SIBIRYAKOV FACTORY, 1904. CREATOR: UNKNOWN.

Baikal near the Sibiryakov factory, 1904. National Library of Russia Baikal near the Sibiryakov factory, 1904. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

MOONLIT NIGHT NEAR IRKUTSK, 1904. CREATOR: BORIS VASILIEVICH SMIRNOV.

Moonlit Night near Irkutsk, 1904. Boris Vasilievich Smirnov (1881-1954) was a Russian artist who in 1904 traveled by prisoner transport from western Russia across Siberia. Along the way he created a series of drawings and watercolors of the people and places he encountered. Novosibirsk State Museum of Regional History and Folklife Moonlit Night near Irkutsk, 1904. Creator: Boris Vasilievich Smirnov. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

MOONLIT NIGHT NEAR IRKUTSK AT A RESETTLEMENT POINT, 1904. CREATOR: BORIS VASILIEVICH SMIRNOV.

Moonlit Night near Irkutsk at a Resettlement Point, 1904. Boris Vasilievich Smirnov (1881-1954) was a Russian artist who in 1904 traveled by prisoner transport from western Russia across Siberia. Along the way he created a series of drawings and watercolors of the people and places he encountered. Novosibirsk State Museum of Regional History and Folklife Moonlit Night near Irkutsk at a Resettlement Point, 1904. Creator: Boris Vasilievich Smirnov. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

DEEP IN THE WOODS OF THE KRASNOYARSK TAIGA, 1904. CREATOR: BORIS VASILIEVICH SMIRNOV.

Deep in the Woods of the Krasnoyarsk Taiga, 1904. Boris Vasilievich Smirnov (1881-1954) was a Russian artist who in 1904 traveled by prisoner transport from western Russia across Siberia. Along the way he created a series of drawings and watercolors of the people and places he encountered. Novosibirsk State Museum of Regional History and Folklife Deep in the Woods of the Krasnoyarsk Taiga, 1904. Creator: Boris Vasilievich Smirnov. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

PINE FOREST NEAR KARKARALINSKAYA STATION, 1909. CREATOR: NIKOLAI GEORGIEVICH KATANAEV.

Pine Forest Near Karkaralinskaya Station, 1909. This image is from Vidy territorii Sibirskogo kazach'ego voiska (Views of the territory of the Siberian Cossack Host), one of three albums depicting the territories, culture, and way of life of the Cossacks living in the steppe regions of western Siberia and present-day Kazakhstan. These albums were created for and exhibited at the First West Siberian Agricultural, Forestry, and Commercial-Industrial Exhibition in Omsk in 1911. The albums were part of a collection of photographs assembled between 1891 and 1918 by the museum of the West Siberian Branch of the Imperial Russian Geographic Society in Omsk. The photographs in the albums were taken in 1909 by N.G. Katanaev (son of Colonel G.E. Katanaev), during a journey to Cossack settlements in Stepnoi krai (later the oblasts of Ural'sk, Turgai, Akmola, and Semipalatinsk). Omsk State Museum of Regional History and Folklife Pine Forest Near Karkaralinskaya Station, 1909. Creator: Nikolai Georgievich Katanaev. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SUNSET IN GAGRA, BETWEEN 1905 AND 1915. CREATOR: SERGEY MIKHAYLOVICH PROKUDIN-GORSKY.

Sunset in Gagra, between 1905 and 1915. Evening on the Black Sea in what is now Abkhazia/Georgia. Russian chemist and photographer Sergey Prokudin-Gorsky (1863-1944) was a pioneer in colour photography which he used to document early 20th-century Russia and her empire, including the vanishing way of life of tribal peoples along the Silk Route in Central Asia. In a railway-carriage darkroom provided by Czar Nicholas II, Prokudin-Gorsky used the three-colour photography process to record traditional costumes and occupations, churches and mosques - many now Unesco World Heritage sites - as well as modernisation in agriculture, industry and transport. Sunset in Gagra, between 1905 and 1915. Creator: Sergey Mikhaylovich Prokudin-Gorsky. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

AT HARVEST TIME [RUSSIAN EMPIRE], 1909. CREATOR: SERGEY MIKHAYLOVICH PROKUDIN-GORSKY.

At harvest time [Russian Empire], 1909. Family (?) sitting in front of hay stacks in a hay field. Russian chemist and photographer Sergey Prokudin-Gorsky (1863-1944) was a pioneer in colour photography which he used to document early 20th-century Russia and her empire, including the vanishing way of life of tribal peoples along the Silk Route in Central Asia. In a railway-carriage darkroom provided by Czar Nicholas II, Prokudin-Gorsky used the three-colour photography process to record traditional costumes and occupations, churches and mosques - many now Unesco World Heritage sites - as well as modernisation in agriculture, industry and transport. At harvest time [Russian Empire], 1909. Creator: Sergey Mikhaylovich Prokudin-Gorsky. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

TRAIL TO SUNRISE, BETWEEN C1900 AND 1916. CREATOR: UNKNOWN.

Trail to Sunrise, between c1900 and 1916. Trail to Sunrise, between c1900 and 1916. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

COVER OF THE ALBUM "WALKS THROUGH THE HISTORICAL SURROUNDINGS OF THE CITY OF TOBOLSK", 1880. CREATOR: MIKHAIL ZNAMENSKY.

Cover of the album "Walks through the historical surroundings of the city of Tobolsk", 1880. From a collection of 239 drawings and illustrations which include drawings of artifacts from archaeological finds in the territory of West Siberia, sketches of nature, people, and cities, a few maps, and several satirical albums with caricatures and humorous sketches of everyday life of the people. Together, the illustrations in the collection give a portrait of the people of and physical conditions in West Siberia in the second half of the 19th century. Tobolsk Museum of History, Architecture, and Preservation Cover of the album "Walks through the historical surroundings of the city of Tobolsk", 1880. Creator: Mikhail Znamensky. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

PORTRAIT OF P.P. ERSHOV, 1862. CREATOR: MIKHAIL ZNAMENSKY.

Portrait of P.P. Ershov, 1862. From an album of 32 original watercolors from the library of Tsar Nicholas II. The subjects include scenes from Tobol'sk, Berezov, Obdorsk (present-day Salekhard), and other localities in Tobol'sk Province; the different ethnic groups living in this region of Siberia (Russians, Tatars, Ostiaks, Samoyeds); scenes of everyday life and work; as well as several historical themes, including the "Conquest of Siberia" and "Siberia as a Place of Exile." Russian State Library. Portrait of P.P. Ershov, 1862. Creator: Mikhail Znamensky. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VAASA PROVINCE, 1856. CREATOR: UNKNOWN.

Vaasa Province, 1856. This card is one of a souvenir set of 82 illustrated cards-one for each province of the Russian Empire as it existed in 1856. Each card presents an overview of a particular province's culture, history, economy, and geography. The front of the card depicts such distinguishing features as rivers, mountains, major cities, and chief industries. The back of each card contains a map of the province, the provincial seal, information about the population, and the local costume of the inhabitants. National Library of Russia Vaasa Province, 1856. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VALLEY OF THE CHARYSH RIVER, NEAR THE VILLAGE OF KORGON ALTAI, 1880-1897. CREATOR: PAVEL MIKHAILOVICH KOSHAROV.

Valley of the Charysh River, Near the Village of Korgons Altai, 1880-1897. From a collection of paintings, lithographs, sketches, studies, and drawings, which capture various remote corners of the Siberian wilderness, spectacular vistas of the Altai, scenes of numerous Siberian cities and villages, and the faces and way of life of the indigenous peoples of Siberia. National Research Tomsk State University Valley of the Charysh River, Near the Village of Korgon Altai, 1880-1897. Creator: Pavel Mikhailovich Kosharov. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIEW OF SENTELEK CAVERNS ALTAI, 1880-1897. CREATOR: PAVEL MIKHAILOVICH KOSHAROV.

View of Sentelek Caverns Altai, 1880-1897. From a collection of paintings, lithographs, sketches, studies, and drawings, which capture various remote corners of the Siberian wilderness, spectacular vistas of the Altai, scenes of numerous Siberian cities and villages, and the faces and way of life of the indigenous peoples of Siberia. National Research Tomsk State University View of Sentelek Caverns Altai, 1880-1897. Creator: Pavel Mikhailovich Kosharov. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

MAGISTRATSKAIA STREET ON A MOONLIT EVENING, 1899. CREATOR: PAVEL MIKHAILOVICH KOSHAROV.

Magistratskaia Street on a Moonlit Evening, 1899. From a collection of paintings, lithographs, sketches, studies, and drawings, which capture various remote corners of the Siberian wilderness, spectacular vistas of the Altai, scenes of numerous Siberian cities and villages, and the faces and way of life of the indigenous peoples of Siberia. National Research Tomsk State University Magistratskaia Street on a Moonlit Evening, 1899. Creator: Pavel Mikhailovich Kosharov. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

MOUTH OF THE RIVER TOMI, TO THE RIGHT TOWARDS THE EAST - OB', 1883. CREATOR: PAVEL MIKHAILOVICH KOSHAROV.

Mouth of the River Tomi, to the Right Towards the East - Ob', 1883. From a collection of paintings, lithographs, sketches, studies, and drawings, which capture various remote corners of the Siberian wilderness, spectacular vistas of the Altai, scenes of numerous Siberian cities and villages, and the faces and way of life of the indigenous peoples of Siberia. National Research Tomsk State University Mouth of the River Tomi, to the Right Towards the East - Ob', 1883. Creator: Pavel Mikhailovich Kosharov. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SOURCE OF THE RIVER OB'. ALTAI, 1850-1899. CREATOR: PAVEL MIKHAILOVICH KOSHAROV.

Source of the River Ob'. Altai, 1850-1899. From a collection of paintings, lithographs, sketches, studies, and drawings, which capture various remote corners of the Siberian wilderness, spectacular vistas of the Altai, scenes of numerous Siberian cities and villages, and the faces and way of life of the indigenous peoples of Siberia. National Research Tomsk State University Source of the River Ob'. Altai, 1850-1899. Creator: Pavel Mikhailovich Kosharov. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIEW OF LAKE TELETSKOYE. ALTAI, 1850-1899. CREATOR: PAVEL MIKHAILOVICH KOSHAROV.

View of Lake Teletskoye. Altai, 1850-1899. From a collection of paintings, lithographs, sketches, studies, and drawings, which capture various remote corners of the Siberian wilderness, spectacular vistas of the Altai, scenes of numerous Siberian cities and villages, and the faces and way of life of the indigenous peoples of Siberia. National Research Tomsk State University View of Lake Teletskoye. Altai, 1850-1899. Creator: Pavel Mikhailovich Kosharov. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

MOUTH OF THE RIVER IRTYSH FROM BEHIND THE ROCK IN THE VALLEY OF THE RIVER OB', 1880-1889. CREATOR: PAVEL MIKHAILOVICH KOSHAROV.

Mouth of the River Irtysh From Behind the Rock in the Valley of the River Ob', 1880-1889. From a collection of paintings, lithographs, sketches, studies, and drawings, which capture various remote corners of the Siberian wilderness, spectacular vistas of the Altai, scenes of numerous Siberian cities and villages, and the faces and way of life of the indigenous peoples of Siberia. National Research Tomsk State University Mouth of the River Irtysh From Behind the Rock in the Valley of the River Ob', 1880-1889. Creator: Pavel Mikhailovich Kosharov. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIEW OF THE KOLPASHEV VILLAGE. FIRST SHIP PIER FROM TOMSK, 1880-1889. CREATOR: PAVEL MIKHAILOVICH KOSHAROV.

View of the Kolpashev Village. First Ship Pier From Tomsk, 1880-1889. From a collection of paintings, lithographs, sketches, studies, and drawings, which capture various remote corners of the Siberian wilderness, spectacular vistas of the Altai, scenes of numerous Siberian cities and villages, and the faces and way of life of the indigenous peoples of Siberia. National Research Tomsk State University View of the Kolpashev Village. First Ship Pier From Tomsk, 1880-1889. Creator: Pavel Mikhailovich Kosharov. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SUNSET OF MUIR INLET, GLACIER BAY, ALASKA, C1899. CREATOR: EDWARD SHERIFF CURTIS.

Sunset of Muir Inlet, Glacier Bay, Alaska, c1899. Large ice formations in water; mountains in background. Sunset of Muir Inlet, Glacier Bay, Alaska, c1899. Creator: Edward Sheriff Curtis. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CAMP IN THE COTTONWOODS-CHEYENNE, C1910. CREATOR: EDWARD SHERIFF CURTIS.

Camp in the cottonwoods-Cheyenne, c1910. Tepee in a grove of trees. Camp in the cottonwoods-Cheyenne, c1910. Creator: Edward Sheriff Curtis. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

QUINAULT BERRY PICKER, C1913. CREATOR: EDWARD SHERIFF CURTIS.

Quinault berry picker, c1913. Quinault berry picker, c1913. Creator: Edward Sheriff Curtis. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

DANCING TO RESTORE AN ECLIPSED MOON, C1914. CREATOR: EDWARD SHERIFF CURTIS.

Dancing to restore an eclipsed moon, c1914. Several Kwakiutl people dancing in a circle around a smoking fire, in an effort to cause a sky creature, which they believe swallowed the moon, to sneeze thereby disgorging it. Dancing to restore an eclipsed moon, c1914. Creator: Edward Sheriff Curtis. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE VILLAGE OF SAMAROVO AT 2 VERSTS FROM THE STEAMER PIER. VIEW TO THE EAST, 1880-1897. CREATOR: PAVEL MIKHAILOVICH KOSHAROV.

The Village of Samarovo at 2 Versts From the Steamer Pier. View to the East, 1880-1897. From a collection of paintings, lithographs, sketches, studies, and drawings, which capture various remote corners of the Siberian wilderness, spectacular vistas of the Altai, scenes of numerous Siberian cities and villages, and the faces and way of life of the indigenous peoples of Siberia. National Research Tomsk State University The Village of Samarovo at 2 Versts From the Steamer Pier. View to the East, 1880-1897. Creator: Pavel Mikhailovich Kosharov. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE RIVER IRTYSH BETWEEN THE FORTRESS OF BUKHTARMINSK AND THE TOWN OF UST'-KAMENOGORSK, 1880-1897. CREATOR: PAVEL MIKHAILOVICH KOSHAROV.

The River Irtysh Between the Fortress of Bukhtarminsk and the Town of Ust'-Kamenogorsk, 1880-1897. From a collection of paintings, lithographs, sketches, studies, and drawings, which capture various remote corners of the Siberian wilderness, spectacular vistas of the Altai, scenes of numerous Siberian cities and villages, and the faces and way of life of the indigenous peoples of Siberia. National Research Tomsk State University The River Irtysh Between the Fortress of Bukhtarminsk and the Town of Ust'-Kamenogorsk, 1880-1897. Creator: Pavel Mikhailovich Kosharov. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CONFLUENCE OF THE TURA AND TOBOL RIVERS. MOUTH OF THE TURY RIVER, 1880-1897. CREATOR: PAVEL MIKHAILOVICH KOSHAROV.

Confluence of the Tura and Tobol Rivers. Mouth of the Tury River, 1880-1897. From a collection of paintings, lithographs, sketches, studies, and drawings, which capture various remote corners of the Siberian wilderness, spectacular vistas of the Altai, scenes of numerous Siberian cities and villages, and the faces and way of life of the indigenous peoples of Siberia. National Research Tomsk State University Confluence of the Tura and Tobol Rivers. Mouth of the Tury River, 1880-1897. Creator: Pavel Mikhailovich Kosharov. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIEW OF THE BARABINSK STEPPE NEAR KAINSK CITY, 1880-1897. CREATOR: PAVEL MIKHAILOVICH KOSHAROV.

View of the Barabinsk Steppe Near Kainsk City, 1880-1897. From a collection of paintings, lithographs, sketches, studies, and drawings, which capture various remote corners of the Siberian wilderness, spectacular vistas of the Altai, scenes of numerous Siberian cities and villages, and the faces and way of life of the indigenous peoples of Siberia. National Research Tomsk State University View of the Barabinsk Steppe Near Kainsk City, 1880-1897. Creator: Pavel Mikhailovich Kosharov. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

HORSE HEAD NEBULA. (IC 434)

Horse Head Nebula. (IC 434) (KEYSTONE/mauritius images/LUIS CASTANEDA)

ORION NEBULA (M 42)

Orion Nebula (M 42) (KEYSTONE/mauritius images/LUIS CASTANEDA)

THE CREATION OF THE WORLD, PUBLISHED 1606. SERIES: THE METAMORPHOSES OF OVID, PL. 1.

The Creation of the World, published 1606. Creators: Antonio Tempesta, Wilhelm Janson. The Creation of the World, published 1606. Series: The Metamorphoses of Ovid, pl. 1. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

MOON AFTER SNOW AT RYOGOKU, MID-1840S. SERIES: THREE VIEWS OF SNOW AT FAMOUS PLACES IN THE EASTERN CAPITAL.

Moon after Snow at Ryogoku, mid-1840s. Creator: Ando Hiroshige. Moon after Snow at Ryogoku, mid-1840s. Series: Three Views of Snow at Famous Places in the Eastern Capital. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)