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SCHWEIZ WAADT MONTREUX

Montreux im Kanton Waadt und die franzoesischen Alpen, aufgenommen in der Schweiz um 1900. COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

SCHWEIZ GRAUBUENDEN FLUEELA HOSPIZ

Das Flueela-Hospiz auf dem Flueelapass im Kanton Graubuenden, Schweiz, aufgenommen um 1900. COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

SCHWEIZ GRAUBUENDEN CHAMPFER

Champfer und Silvaplana im Oberengadin mit dem Silvaplanersee und dem Piz da la Margna im Kanton Graubuenden, Schweiz, aufgenommen um 1900. COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

SCHWEIZ RIGI BERGBAHN

Die damfbetriebene Zahnradbahn von Vitznau auf die Rigi auf der Schnurtobelbruecke, aufgenommen um 1900. COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

SCHWEIZ RIGI VIERWALDSTAETTERSEE

Blick vom Rigi-Kaenzeli auf den Vierwaldstaettersee in der Schweiz, aufgenommen um 1900. COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

SCHWEIZ TESSIN MONTE SAN SALVATORE

Die Standseilbahn von Lugano auf den Monte San Salvatore im Kanton Tessin, Schweiz, aufgenommen um 1900. COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

SCHWEIZ WAADT LAUSANNE

Das Schloss, die Kathedrale und die Universitaet in Lausanne, der Hauptstadt des Kantons Waadt, Schweiz, aufgenommen um 1900. COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

SCHWEIZ ZUERICH UTOQUAI

Zuerich und das Utoquai, aufgenommen in der Schweiz um 1900. COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

SCHWEIZ GRAUBUENDEN ST. MORITZ

Blick auf St. Moritz im Kanton Graubuenden, Schweiz, aufgenommen um 1900. COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

SCHWEIZ BERN SPIEZ

Spiez am Thunersee im Kanton Bern, Schweiz, aufgenommen um 1900. COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

SCHWEIZ LUZERN SCHWEIZERHOFQUAI

Das Schweizerhofquai in Luzern, Schweiz, aufgenommen um 1900. COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

SCHWEIZ LUZERN PILATUS

Die Stadt Luzern mit dem Pilatus in der Schweiz, aufgenommen um 1900. COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

SCHWEIZ BERN ENGSTLENSEE

Der Engstlensee am Jochpass im Kanton Bern, Schweiz, aufgenommen um 1900. COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE 1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

SCHWEIZ LUZERN PILATUS

Der Vierwaldstaettersee, das Bahnhofquai in Luzern und der Pilatus, aufgenommen in der Schweiz um 1900. COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

SCHWEIZ LUZERN PILATUS

Der Vierwaldstaettersee, das Bahnhofquai in Luzern und der Pilatus, aufgenommen in der Schweiz um 1900. COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

DEUTSCHLAND HAMBURG ALSTERARKADEN

Die Alsterarkaden beim Muendungsfleet der Alster in Hamburg, Deutschland um 1900. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION) === , CALENDARS OUT, POSTCARDS OUT ===

DEUTSCHLAND HAMBURG LOMBARDSBRUECKE

Die Lombardsbruecke in Hamburg, Deutschland um 1900. Sie markiert den alten Verlauf der Stadtbefestigung von Hamburg, die die Aussenalster von der Binnenalster trennt. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION) === , CALENDARS OUT, POSTCARDS OUT ===

DEUTSCHLAND BERGEN

Das Panoramabild von Bergen auf der Ostseeinsel Ruegen, Mecklenburg-Vorpommern, Deutschland um 1900. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION) === , CALENDARS OUT, POSTCARDS OUT ===

DEUTSCHLAND SPEYER

Die Stadt Speyer, Rheinland-Pfalz, Deutschland um 1900. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION) === , CALENDARS OUT, POSTCARDS OUT ===

DEUTSCHLAND SCHWERIN SCHWERINER SCHLOSS

Das Schweriner Schloss (frueher Grossherzog Schloss) in Schwerin, Mecklenburg-Vorpommern, Deutschland um 1900. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION) === , CALENDARS OUT, POSTCARDS OUT ===

DEUTSCHLAND TITISEE

Blick auf den Titisee im Schwarzwald, Baden-Wuerrtemberg, Deutschland um 1900. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION) === , CALENDARS OUT, POSTCARDS OUT ===

DEUTSCHLAND SCHLUCHSEE

Blick auf den Schluchsee im Schwarzwald, Baden-Wuerrtemberg, Deutschland um 1900. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION) === , CALENDARS OUT, POSTCARDS OUT ===

DEUTSCHLAND TITISEE

Blick auf den Titisee im Schwarzwald, Baden-Wuerrtemberg, Deutschland um 1900. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION) === , CALENDARS OUT, POSTCARDS OUT ===

ITALIEN COMO

Blick auf die Stadt Como am Comersee, Italien um 1900. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

ITALIEN COMO

Blick auf die Stadt Como am Comersee, Italien um 1900. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

ITALIEN ISOLA DEI PESCATORI

Die Insel Isola dei Pescatori im Lago Maggiore ist die einzige Insel, die seit beginn des 14. Jahrhunderts bis heute dauerhaft bewohnt ist, Italien um 1900. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

ITALIEN GARDASEE

Die Stadt Salo am Gardasee, Italien um 1900. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

ITALIEN GARDASEE

Blick auf die Stadt Riva del Garda am Gardasee, Italien um 1900. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

ITALIEN GARDASEE

Blick auf das Dorf Nago-Torbole am Gardasee, Italien um 1900. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

ITALIEN GARDASEE

Blick auf die Ortschaft Limone sul Garda am Gardasee, Italien um 1900. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

ITALIEN GARDASEE

Blick auf die groesste Insel im Gardasee, die Isola di Garda, Italien um 1900. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

ITALIEN GARDASEE

Blick auf die groesste Stadt am Gardasee, Desenzano del Garda, Italien um 1900. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

ITALIEN GARDASEE

Blick auf die Stadt Gargnano am Gardasee, Italien um 1900. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

ENGLAND LONDON KEW GARDENS

Das Museum in den Royal Botanic Gardens, auch Kew Gardens, in London, aufgenommen um 1900 in England - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

DEUTSCHLAND KONSTANZ HAFEN

Ein Dampfschiff legt im Konstanzer Hafen an, Deutschland, um 1900. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION) === , CALENDARS OUT, POSTCARDS OUT ===

DEUTSCHLAND KONSTANZ HAFEN

Das Konziliumsgebaeude im Hafen von Konstanz in Deutschland um 1900. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION) === , CALENDARS OUT, POSTCARDS OUT ===

DEUTSCHLAND KONSTANZ HAFEN

Der Hafen von Konstanz am Bodensee mit Ausflugsschiffen um 1900. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION) === , CALENDARS OUT, POSTCARDS OUT ===

DEUTSCHLAND KONSTANZ

Die Stadt Konstanz und ihr Muenster am Bodensee um 1900. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION) === , CALENDARS OUT, POSTCARDS OUT ===

ITALIEN RIVA DEL GARDA

Die Ortschaft Riva am Gardasee und der Monte Baldo um 1900. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION) === , CALENDARS OUT, POSTCARDS OUT ===

INDIEN CALCUTTA

Der Dalhousie Square und das alte Court House in Calcutta, Indien, aufgenommen um 1900. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

SCHWEIZ GENF INSEL ROUSSEAU 1900

Genf mit Sicht auf die Insel Rousseau, dem Mont Saleve und dem Mont Blanc-Massiv, Schweiz, um 1900. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION) === , CALENDARS OUT, POSTCARDS OUT ===

SCHWEIZ EISLAUFEN

Eislaufen, Eiswettlauf, Davos, aufgenommen um das Jahr 1900. (KEYSTONE/IBA-ARCHIV/Str)

SCHWEIZ SILSERSEE

Der Silsersee im Oberengadin mit dem Piz della Margna (3158m), aufgenommen um 1900. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

SCHWEIZ SCHWYZ GERSAU

Gersau im Kanton Schwyz mit der Rigi, aufgenommen in der Schweiz um 1900. COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

SCHWEIZ WAADT MONTREUX

Ein Schiff auf dem Genfersee vor Montreux, aufgenommen in der Schweiz um 1900. COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

SCHWEIZ ZUERICH MYTHENQUAI

Das Mythenquai in Zuerich, aufgenommen in der Schweiz um 1900. COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

J.BRULL, TRÄUMEN

Brull, Joan 1863–1912...“Träumen”, um 1898...Öl auf Leinwand, 200 × 141 cm..Barcelona, Museu d'Art de Catalunya. (KEYSTONE/akg-images/akg-images)

L. V. HOFMANN, MÄDCHEN AM STRANDE

Hofmann, Ludwig von. 1861–1945..“Mädchen am Strande”, um 1898..Öl und Tempera auf Leinwand,.62 × 74 cm...Inv. Nr. 1953/255.Dresden, Staatliche Kunstsammlungen. (KEYSTONE/akg-images/akg-images)

J.BRULL, TRÄUMEN

Brull, Joan 1863–1912...“Träumen”, um 1898...Öl auf Leinwand, 200 × 141 cm..Barcelona, Museu d'Art de Catalunya. (KEYSTONE/akg-images/akg-images)

P.CÉZANNE, HAUS AM UFER / AQUARELL

Cézanne, Paul 1839–1906...“Maison au bord de l'eau” (Haus am Ufer eines Gewässers), 1898...Bleistift und Aquarell auf weißem Papier, 31,5 × 47,5 cm..Basel, Privatsammlung. (KEYSTONE/akg-images/akg-images)

F.HODLER, GENFERSEE VON CHEXBRES AUS

Hodler, Ferdinand 1853–1918...“Der Genfersee von Chexbres aus”,..um 1898..Öl auf Leinwand, 100,5 × 130 cm..Privatbesitz. (KEYSTONE/akg-images/akg-images)

F.SKARBINA, ABEND IM DORF

Skarbina, Franz 1849–1910...“Abend im Dorf”, 1897...Öl auf Leinwand, 68,5 × 99 cm..Berlin, SMB, Nationalgalerie. (KEYSTONE/akg-images/akg-images)

L.POURTAU, SEGELBOOTE

Pourtau, Léon 1868–1898...“Les voiliers” (Segelboote), 1897...Öl auf Leinwand, 27 × 41 cm..Privatsammlung. (KEYSTONE/akg-images/akg-images)

DEUTSCHLAND BADEN-BADEN WALDSEE

Baden-Baden. Waldsee. Im Jahr 1897. - EDITORS NOTE: THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

DEUTSCHLAND EGERN AM TEGERNSEE

Egern am Tegernsee. Im Jahr 1897. - EDITORS NOTE: THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

DEUTSCHLAND EGERN AM TEGERNSEE

Tegernsee. Im Jahr 1897. - EDITORS NOTE: THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

DEUTSCHLAND OBER-BAYERN SCHLIERSEE

Schliersee. Im Jahr 1897. - EDITORS NOTE: THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

DEUTSCHLAND EGERN AM TEGERNSEE

Tegernsee. Im Jahr 1897. - EDITORS NOTE: THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

DEUTSCHLAND OBER-BAYERN SCHLIERSEE

Schliersee. Im Jahr 1897. - EDITORS NOTE: THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

ITALIEN CASTELGANDOLFO

Contorni di Roma. Castelgandolfo e Lago. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

ITALIEN PALLANZA LAGO MAGGIORE

Lago Maggiore. Pallanza. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

ITALIEN PALLANZA LAGO MAGGIORE

Lago Maggiore. Pallanza. Veduta generale. - EDITORS NOTE : THIS IS A PHOTOCHROM IMAGE. PHOTOCHROM IS A COLORIZING PROCESS COMBINING PHOTOGRAPHY AND COLOR LITHOGRAPHY. IT IS USED FROM 1890 TO THE1920 'S TO CREATE A COLOR PRINT FROM A BLACK AND WHITE NEGATIVE, USING BETWEEN FOUR AND FOURTEEN STONES, MADE FROM ROCKLIKE SUBSTANCES, TO COLORIZE THE PRINT WITH SEVERAL DIFFERENT INKS. (KEYSTONE/PHOTOCHROM-GESELLSCHAFT/PHOTOCHROM COLLECTION)

L. V. HOFMANN, IDYLL

Hofmann, Ludwig von. 1861–1945..“Idyll”, 1896..Öl auf Leinwand, 206 × 324 cm...Inv. Nr. ÖG 7990.Wien, Österr. Galerie im Belvedere. (KEYSTONE/akg-images/akg-images)

L. V. HOFMANN, IDYLL

Hofmann, Ludwig von. 1861–1945...“Idyll”, 1896...Öl auf Rupfen, 111,5 × 109 cm..Privatsammlung. (KEYSTONE/akg-images/akg-images)