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THE VIRGIN, STANDING, WITH THE CHRIST CHILD AT HER BREAST, 1530. CREATOR: ANON.

The Virgin, standing, with the Christ Child at her Breast, 1530. The Virgin, standing, with the Christ Child at her Breast, 1530. Creator: Anon. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE REST ON THE FLIGHT INTO EGYPT, 1540. CREATOR: ANON.

The Rest on the Flight into Egypt, 1540. The Rest on the Flight into Egypt, 1540. Creator: Anon. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE REST, 1709. CREATOR: JEAN-ANTOINE WATTEAU.

The Rest, 1709. The soldiers are resting around two large trees. In this area in the middle of a provisional camp, Watteau locates two finely dressed women, one of whom lifts up her skrits in a flirtatious manner so as not to dirty the bottom of her dress in the mud. The two women, who seem remote from the action around them, seem to be talking to each other, watched by a pair of soldiers, one of them wounded in the head and arm. Watteau added two further figures, again not connected with the military world, in the form of a young mother and her son who also take advantage of the shade of the large trees to rest. The Rest, 1709. Creator: Jean-Antoine Watteau. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

INTERIOR WITH A WOMAN SEWING AND A CHILD, 1662. CREATOR: PIETER DE HOOCH.

Interior with a Woman sewing and a Child, 1662. De Hooch depicts a typical Dutch interior. The mother is busy sewing but also attends to her small son. They are located in the area of the house known as the voorhuis, which connected with the exterior and when not used for conducting business was a space for domestic activities. The second room, which connects with this one through a door and an interior window with a grille, is the binnenhuis, in this case with a large fireplace. The woman is seated on a dais or soldertien that offered protection from the cold and damp of the floor, while behind it is a richly worked leather hanging that functions as a back to the bench Interior with a Woman sewing and a Child, 1662. Creator: Pieter de Hooch. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

FAMILY GROUP IN A LANDSCAPE, 1645. CREATOR: FRANS HALS.

Family Group in a Landscape, 1645. Family Group in a Landscape, 1645. Creator: Frans Hals. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

WINTER LANDSCAPE WITH A PEASANT FAMILY, 1750. CREATOR: FRANCESCO FOSCHI.

Winter Landscape with a Peasant Family, 1750. Winter Landscape with a Peasant Family, 1750. Creator: Francesco Foschi. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE VIRGIN AND THE CHILD WITH SAINT CATHERINE OF SIENA AND ANGELS, 1490. CREATOR: FRANCESCO DI GIORGIO MARTINI.

The virgin and the Child with Saint Catherine of Siena and Angels, 1490. The virgin and the Child with Saint Catherine of Siena and Angels, 1490. Creator: Francesco di Giorgio Martini. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE BENTIVOGLIO FAMILY, 1493. CREATOR: LORENZO COSTA.

The Bentivoglio Family, 1493. Alessandro Bentivoglio holds a musical score. From left to right in the top row we see Bianca Rangona, Monsignore Bentivoglio, two anonymous singers, and Caterina Manfredi on the far right. In the lower line, from left to right we see a self-portrait of the artist, Pistano, Hermes Bentivoglio (in red, positioned frontally), an ecclesiastical canon and Alessandro Bentivoglio. The Bentivoglio Family, 1493. Creator: Lorenzo Costa. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE POTATO EATERS, 1885. CREATOR: VINCENT VAN GOGH.

The Potato Eaters, 1885. The Potato Eaters, 1885. Creator: Vincent van Gogh. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE ADORATION OF THE MAGI, 1360. CREATOR: LUCA DI TOMME.

The Adoration of the Magi, 1360. The Adoration of the Magi, 1360. Creator: Luca di Tomme. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE NATIVITY AND OTHER EPISODES FROM THE CHILDHOOD OF CHRIST, 1330. CREATOR: PIETRO DA RIMINI.

The Nativity and other Episodes from the Childhood of Christ, 1330. Four scenes from the childhood of Christ: The Nativity, The Infant Christ bathed, The Annunciation to the Shepherds and The Arrival of the Magi. The Nativity and other Episodes from the Childhood of Christ, 1330. Creator: Pietro da Rimini. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE VIRGIN OF HUMILITY, 1440. CREATOR: GIOVANNI DI PAOLO.

The Virgin of Humility, 1440. The Virgin of Humility, 1440. Creator: Giovanni di Paolo. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE VIRGIN AND CHILD ENTHRONED WITH SIX ANGELS, 1415. CREATOR: LORENZO MONACO.

The Virgin and Child enthroned with six Angels, 1415. The Virgin and Child enthroned with six Angels, 1415. Creator: Lorenzo Monaco. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE VIRGIN AND CHILD, 1340. CREATOR: BERNARDO DADDI.

The Virgin and Child, 1340. The Virgin and Child, 1340. Creator: Bernardo Daddi. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE VIRGIN AND CHILD ENTHRONED BETWEEN FOUR ANGELS, A MARTYR SAINT AND SAINT JOHN THE BAPTIST, 1340. CREATOR: BARTOLOMMEO BULGARINI.

The Virgin and Child enthroned between four Angels, a Martyr Saint and Saint John the Baptist, 1340. The Virgin and Child enthroned between four Angels, a Martyr Saint and Saint John the Baptist, 1340. Creator: Bartolommeo Bulgarini. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE CRUCIFIXION, 1330. CREATOR: BERNARDO DADDI.

The Crucifixion, 1330. The Crucifixion, 1330. Creator: Bernardo Daddi. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ICHIKAWA OF THE MATSUBAYA, 1790-1800. CREATOR: KITAGAWA UTAMARO.

Ichikawa of the Matsubaya, 1790-1800. The oiran, or high-ranking yuejo ‘woman of pleasure’ Ichikawa, who worked in the Matsuba house in the Edomachi Itchome district of the Yoshiwara. She is pictured here in the loose, flowing garments and informal front - tyingobi (sash), fashionable with yuejo of the time. She holds a brass pipe in her right hand and sits with a lacquer box of smoking utensils. The koi (carp) leaping upwards through a waterfall on her gorgeous uchikake (over-kimono) was associated with perseverance, and with love. The first quality is suggested in Ichikawa’s tired, poignant pose and expression, reflecting her resignation to the harsh indenture of the quarters. The latter reference is more ironic, as there was little true love to be found in brothel engagements. Ichikawa of the Matsubaya, 1790-1800. Creator: Kitagawa Utamaro. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE HOLY TRINITY, 1511. CREATOR: ALBRECHT DURER.

The Holy Trinity, 1511. The Holy Trinity, 1511. Creator: Albrecht Durer. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CHILDREN PLAYING, 1879. CREATOR: CATHERINE GREENAWAY.

Children playing, 1879. Children playing, 1879. Creator: Catherine Greenaway. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

JOSEPH'S COAT BROUGHT TO JACOB, C.1633. CREATOR: REMBRANDT HARMENSZ VAN RIJN.

Joseph's coat brought to Jacob, c.1633. The tragic consequences, when Joseph's brothers turned against him, are described in Genesis 37:12-35. In his etching, the immediate news is being conveyed to the devasted Jacob, who throws back his head and raises his hands in horror at the sight of the coat. One of the sons, probably Reuben, is acting up the story, while his brother Judah is calmer, feigning concern. His bulky purse betrays the truth behind the deception. Leah, his elderly mother, stands at the doorway, staring open-mouthed, and nervously draws her hands together Joseph's coat brought to Jacob, c.1633. Creator: Rembrandt Harmensz van Rijn. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

A BLIND HURDY-GURDY PLAYER AND FAMILY RECEIVING ALMS, 1648. CREATOR: REMBRANDT HARMENSZ VAN RIJN.

A blind hurdy-gurdy player and family receiving alms, 1648. A blind hurdy-gurdy player and family receiving alms, 1648. Creator: Rembrandt Harmensz van Rijn. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

PEASANT FAMILY ON THE TRAMP, C.1652. CREATOR: REMBRANDT HARMENSZ VAN RIJN.

Peasant family on the tramp, c.1652. Peasant family on the tramp, c.1652. Creator: Rembrandt Harmensz van Rijn. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE CRUCIFIXION: SMALL PLATE, C.1635. CREATOR: REMBRANDT HARMENSZ VAN RIJN.

The crucifixion: small plate, c.1635. Presenting the viewer with a sensitive interpretation of Christ on the Cross, close attention has been paid to the intricate features on the figures. Creating a solemn and reflective scene, the figures surrounding Christ are placed in the lower area of the image, giving this work weight and depth. The line work is intricately hatched throughout the image with highly developed areas on the back of the standing figure and on Christ. The overlapping figures interweave between one another, presenting a rhythmic quality to the image. The swooning figure of the devastated Virgin Mary at lower left enhances the powerful emotion of the tragic scene. The crucifixion: small plate, c.1635. Creator: Rembrandt Harmensz van Rijn. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE STROLLING MUSICIANS, C.1635. CREATOR: REMBRANDT HARMENSZ VAN RIJN.

The strolling musicians, c.1635. A sympathetic inquiry into the lives of impoverished people, including beggars. Two musicians, one playing a hurdy gurdy, and the other the bagpipes, lean before an absorbed looking family with a toddler to perform. Light from inside the home illuminates the dim, intimate moment, thus highlighting the profiles of the players. The strolling musicians, c.1635. Creator: Rembrandt Harmensz van Rijn. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

LE CHAPEAU ÉPINGLÉ (PINNING THE HAT), 1894. CREATOR: PIERRE-AUGUSTE RENOIR.

Le chapeau épinglé (Pinning the hat), 1894. The models were Julie Manet, the daughter of Impressionist artist Berthe Morisot and niece of Edouard Manet, and her cousin, Paulette Gobillard. The scene originated from a study Renoir made while on holiday on the coast of Northern France with Morisot and her family. Julie Manet was a favorite model for Renoir and on this occasion he drew her on the beach with her cousin who was adjusting the pin on her large sun hat. Le chapeau épinglé (Pinning the hat), 1894. Creator: Pierre-Auguste Renoir. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE BEHEADING OF JOHN THE BAPTIST, 1625-1630. CREATOR: GIUSEPPE CALETTI.

The beheading of John the Baptist, 1625-1630. Plate 12 of series ' Esemplari per facilitar gli amatori del disegno' (Specimens to make drawing for enthusiasts easier) and corresponds to a booklet of thirteen, dedicated to Roberto Canonici. It depicts an ugly and brutal executioner - almost certainly influenced by earlier German 'Little Master' printmakers - holding up the head of St John the Baptist to the beautifully dressed, rather stiffly posed Salome, who holds a metal charger to accommodate it. The beheading of John the Baptist, 1625-1630. Creator: Giuseppe Caletti. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE YOUNG MOTHER, C. 1660. CREATOR: CORNELIS BEGA.

The young mother, c. 1660. The young mother, c. 1660. Creator: Cornelis Bega. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

MRS LAMM, 1894. CREATOR: ANDERS LEONARD ZORN.

Mrs Lamm, 1894. Mrs Lamm, 1894. Creator: Anders Leonard Zorn. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

MONA, 1911. CREATOR: ANDERS LEONARD ZORN.

Mona, 1911. In Swedish, 'Mona' means mother, and the subject is Grudd Anna Anderscotter, who was an unmarried peasant when she give birth to Anders Zoen in 1860. She worked to support her young son, who was effectively adopted by his grandparents. Later she married another man, and died at a considerable age in early 1920, only a few months before Zorn himself. Mona, 1911. Creator: Anders Leonard Zorn. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE FAMILY, 1647. CREATOR: ADRIAEN VAN OSTADE.

The family, 1647. The family, 1647. Creator: Adriaen van Ostade. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE PIG KILLERS, C.1652. CREATOR: ADRIAEN VAN OSTADE.

The pig killers, c.1652. A peasant family gathers round to witness the slaughter of a pig, which presumably will feed the large family during the long winter months ahead. As the eldest son kneels on the animal, the farmer’s wife collects the blood in her long handled pan, and her small children look on with avid curiosity. The pig killers, c.1652. Creator: Adriaen van Ostade. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

HOLY FAMILY IN AN INTERIOR, 1643-5. CREATOR: FERDINAND BOL.

Holy Family in an interior, 1643-5. Holy Family in an interior, 1643-5. Creator: Ferdinand Bol. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CAIN KILLING ABEL, 1524. CREATOR: LUCAS VAN LEYDEN.

Cain killing Abel, 1524. The story is recounted in the Book of Genesis and tells of Cain's jealousy of his younger brother, whose sacrifice is preferred by God. Cain kills Abel and is condemned to be an outcast in the lands 'east of Eden'. In this engraving, the bearded and clearly older figure of Cain is about to land the death blow on the youthful Abel's exposed neck with the jawbone of an ass. Cain killing Abel, 1524. Creator: Lucas van Leyden. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE ENTOMBMENT, PLATE 11 FROM THE PASSION OF CHRIST, 1596. CREATOR: HENDRIK GOLTZIUS.

The Entombment, plate 11 from The Passion of Christ, 1596. The Entombment, plate 11 from The Passion of Christ, 1596. Creator: Hendrik Goltzius. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SATYR SOUNDING A HORN, 1531-1550. CREATOR: SEBALD BEHAM.

Satyr sounding a horn, 1531-1550. Satyrs are mythical creatures, half man, half goat, ready for any physical pleasure, especially if it relates to wine, women (bacchantes and nymphs) and, here, song. The rough, natural horn with a conical (as opposed to straight) bore, obviously the horn of an animal, is the ancestor of the modern French horn. Satyr sounding a horn, 1531-1550. Creator: Sebald Beham. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE VIRGIN ON THE CRESCENT WITH A SCEPTRE AND A STARRY CROWN, 1516. CREATOR: ALBRECHT DURER.

The Virgin on the crescent with a sceptre and a starry crown, 1516. The Virgin stands on a crescent moon, holding Christ in her arms (he holds an apple). She holds a sceptre, and wears a high crown topped with stars. Light streams out from behind her in an aureole or mandala. This reflects the 'woman clothed with the sun, and the moon under her feet, and upon her head a crown of twelve stars', often identified with the Virgin, in the Book of Revelations (12:1). The Virgin on the crescent with a sceptre and a starry crown, 1516. Creator: Albrecht Durer. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE FISHERMAN, 1908. CREATOR: WILLIAM STRANG.

The Fisherman, 1908. The Fisherman is a fine example of Strang’s allegorical works. Central to it is the classical nude group. Despite being called The Fisherman, the work highlights the faces of the woman and child, while the face of the man is hidden from viewhis arm as he blows into a conch-shell. The Fisherman, 1908. Creator: William Strang. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

NINETTE, C.1928. CREATOR: WILLIAM LEE-HANKEY.

Ninette, c.1928. Ninette, c.1928. Creator: William Lee-Hankey. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

BONE AT THE PRESS, 1908. CREATOR: FRANCIS DODD.

Bone at the press, 1908. Vivid character study of Dodd's great friend and fellow student at the Glasgow School of Art, and later brother-in-law, Muirhead Bone, bearded and wearing a curly-brimmed hat. Bone leans over his etching press and appears to address the viewer. He holds a sheet, perhaps a recent print fresh off the press. In the foreground there is a folio and other prints are visible. Bone at the press, 1908. Creator: Francis Dodd. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIRGIN AND CHILD WITH SAINTS FRANCIS, ANDREW, PAUL, PETER, STEPHEN, AND LOUIS OF TOULOUSE, C1317-21 CREATOR: UGOLINO DA SIENA.

Virgin and Child with Saints Francis, Andrew, Paul, Peter, Stephen, and Louis of Toulouse, c. 1317-21. Six Christian saints occupy arched panels on both sides of the Virgin Mary and infant Jesus, as angels peer down from above. Jesus reappears in the center of the upper tier, surrounded by Hebrew prophets. This painting’s rounded panels and triangular pinnacles suggest the architecture of its original location—it was made for the altar of a church. Altarpieces like this one, with gold backgrounds that would have reflected flickering candlelight, were designed to encourage churchgoers in their devotions. Virgin and Child with Saints Francis, Andrew, Paul, Peter, Stephen, and Louis of Toulouse, c1317-21 Creator: Ugolino da Siena. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

A SPORTSMAN WITH HIS FAMILY INSTRUCTING WOODMEN TO CHOP UP A FELLED TREE, C1816. CREATOR: THOMAS ROWLANDSON.

A Sportsman With His Family Instructing Woodmen To Chop Up A Felled Tree, c1816. A Sportsman With His Family Instructing Woodmen To Chop Up A Felled Tree, c1816. Creator: Thomas Rowlandson. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ELIZABETH AND THOMAS LINLEY, C1768. CREATOR: THOMAS GAINSBOROUGH.

Elizabeth And Thomas Linley, c1768. Elizabeth and Thomas Linley belonged to a family of accomplished musicians from Bath, in England, she was a celebrated singer and he, a precocious violinist. Gainsborough knew the Linleys well and his affection for the brother and sister is evident in this engaging, sympathetic portrait. The sitters' eyes shine and their finely painted features contrast with the loose brushwork of their hair, clothing, and rustic surroundings. Elizabeth And Thomas Linley, c1768. Creator: Thomas Gainsborough. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CUP (TASSE JASMIN À PIED CANNELÉ, 1ST SIZE) WITH PORTRAIT OF MARIE DE RABUTIN-CHANTAL..., 1812. CREATOR: UNKNOWN.

Cup (Tasse Jasmin À Pied Cannelé, 1St Size) With Portrait Of Marie De Rabutin-Chantal, Madame De Sévigné (1626-1696), 1812. Cup (Tasse Jasmin À Pied Cannelé, 1St Size) With Portrait Of Marie De Rabutin-Chantal..., 1812. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CUP (TASSE JASMIN À PIED CANNELÉ, 1ST SIZE) WITH PORTRAIT OF FRANÇOISE-MARGUERITE DE SÉVIGNÉ...1812. CREATOR: UNKNOWN.

Cup (Tasse Jasmin À Pied Cannelé, 1St Size) With Portrait Of Françoise-Marguerite De Sévigné, Comtesse De Grignan (1646-1705), 1812. Cup (Tasse Jasmin À Pied Cannelé, 1St Size) With Portrait Of Françoise-Marguerite De Sévigné...1812. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIRGIN AND CHILD WITH SAINT JOHN THE BAPTIST, C1490. CREATORS: WORKSHOP OF SANDRO BOTTICELLI, SANDRO BOTTICELLI.

Virgin And Child With Saint John The Baptist, c1490. The Virgin Mary tenderly embraces her infant son, Jesus, while a young John the Baptist prays devoutly. The Latin inscription on his scroll translates as, “Behold the Lamb of God.” John would later speak these words to his followers when introducing Jesus, prophesying Christ’s fate as an innocent lamb sacrificed to redeem humankind from its sins. The scene is painted as a tondo, a circular format often used for devotional pictures intended for domestic settings in fifteenth-century Florence. Sandro Botticelli and Studio Virgin And Child With Saint John The Baptist, c1490. Creators: Workshop of Sandro Botticelli, Sandro Botticelli. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIRGIN AND CHILD WITH SAINTS ELIZABETH AND JOHN THE BAPTIST, C1520-25 CREATOR: QUENTIN METSYS I.

Virgin And Child With Saints Elizabeth and John the Baptist, c1520-25. Virgin And Child With Saints Elizabeth and John the Baptist, c1520-25 Creator: Quentin Metsys I. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIRGIN AND CHILD ENTHRONED WITH FOUR ANGELS, C1460-70. CREATOR: PIERO DELLA FRANCESCA.

Virgin And Child Enthroned With Four Angels, c1460-70. The Virgin Mary and Jesus are attended by angels, whose wings are partly visible. The angel in red directs our attention to the infant reaching for a flower offered by his mother, an interaction which may symbolize divine love or allude to Jesus’s fate. The angel in white casts a shadow across the base of Mary’s throne, suggesting the painting originally hung to the right of a window. Piero was an influential artist and mathematician particularly interested in perspective and in Greco-Roman antiquity. Virgin And Child Enthroned With Four Angels, c1460-70. Creator: Piero della Francesca. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIRGIN AND CHILD WITH TWO ANGELS, C1480. CREATOR: MATTEO DI GIOVANNI.

Virgin And Child With Two Angels, c1480. The Virgin Mary balances an unfinished miniature building on one arm, while her son Jesus raises his hand in a blessing. Behind them, two angels unfurl a scroll on which an appeal to “contribute to this devotion” is written in Italian. The painting was probably intended to encourage viewers to earn blessings by offering donations toward the construction of a monastery or church—perhaps one resembling the structure depicted. Matteo di Giovanni Virgin And Child With Two Angels, c1480. Creator: Matteo di Giovanni. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE CALLING OF SAINTS PETER AND ANDREW, 1470S. CREATOR: MATTEO DI GIOVANNI.

The Calling Of Saints Peter And Andrew, 1470s. Jesus on the shore of the Sea of Galilee, urging two fishermen, the brothers Peter and Andrew, to become his disciples. Jesus leans forward to help Peter out of the boat, while Andrew casts his net aside, symbolically leaving his old life behind. This panel was once part of a predella, a sequence of small paintings situated beneath the main scenes of an altarpiece. The Calling Of Saints Peter And Andrew, 1470s. Creator: Matteo di Giovanni. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIRGIN AND CHILD WITH MUSIC-MAKING ANGELS, C1400-1410. CREATOR: MASTER OF THE STRAUSS MADONNA.

Virgin And Child With Music-Making Angels, c1400-1410. Virgin And Child With Music-Making Angels, c1400-1410. Creator: Master of the Strauss Madonna. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE VIRGIN AND CHILD ENTHRONED, C1500. CREATOR: MASTER OF THE EMBROIDERED FOLIAGE.

The Virgin And Child Enthroned, c1500. Mary is distinguished by the embroidered cloth behind her. At her feet is a fertile, walled garden symbolizing her virgin motherhood. She holds Jesus in her lap as he turns the pages of a devotional book. In the background, two figures, distracted by the world, seem unaware of the angels praying nearby. The Virgin And Child Enthroned, c1500. Creator: Master of the Embroidered Foliage. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

PORTRAIT OF MRS. CYRUS J. LAWRENCE WITH HER GRANDSON R. LAWRENCE OAKLEY, C1898. CREATOR: MARY CASSATT.

Portrait Of Mrs. Cyrus J. Lawrence With Her Grandson R. Lawrence Oakley, c1898. Emily Lawrence is shown interrupting her knitting to grasp her grandson’s hand as he leans over the back of her chair. The portrait was commissioned by Emily’s husband, the collector Cyrus L. Lawrence, while Cassatt was visiting her family and friends in the United States after nearly twenty years abroad. Portrait Of Mrs. Cyrus J. Lawrence With Her Grandson R. Lawrence Oakley, c1898. Creator: Mary Cassatt. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE NURSING MOTHER (LA MÈRE NOURRICE), 1804. CREATOR: MARGUERITE GERARD.

The Nursing Mother (La Mère Nourrice), 1804. The Nursing Mother (La Mère Nourrice), 1804. Creator: Marguerite Gerard. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE CAPRICIOUS CHILD (L’ENFANT CAPRICIEUX), 1804. CREATOR: MARGUERITE GERARD.

The Capricious Child (L’Enfant Capricieux), 1804. The Capricious Child (L’Enfant Capricieux), 1804. Creator: Marguerite Gerard. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE KNITTING LESSON, C1860. CREATOR: JEAN FRANCOIS MILLET.

The Knitting Lesson, c1860. The Knitting Lesson, c1860. Creator: Jean Francois Millet. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE LAMENTATION, C1490. CREATOR: JAN PROVOOST.

The Lamentation, c1490. Joseph of Arimathea supports Christ’s body as John the Evangelist wipes away a tear and places a consoling hand on the Virgin’s shoulder. Mary Magdalene clasps her hands in prayer. In the background, three crosses refer to Christ’s recent Crucifixion, and a man preparing a tomb alludes to his future entombment. The painting may originally have formed part of a polyptych, an arrangement of four or more panels, telling the story of Christ’s life. The Lamentation, c1490. Creator: Jan Provoost. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

EVE AND FOUR CHILDREN, C1520. CREATOR: JAN MOSTAERT.

Eve And Four Children, c1520. Eve is shown surrounded by her children, sitting just outside the cave where she and Adam lived, following their expulsion from the Garden of Eden. When her eldest sons Cain and Abel made offerings to God, only Abel's was accepted, and Cain murdered his brother in a jealous rage. Eve And Four Children, c1520. Creator: Jan Mostaert. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

LAUNDRESS AND CHILD, 1761. CREATOR: HUBERT ROBERT.

Laundress And Child, 1761. Laundress And Child, 1761. Creator: Hubert Robert. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

BRUTUS CONDEMNING HIS SONS TO DEATH, 1788. CREATOR: GUILLAUME LETHIERE.

Brutus Condemning His Sons To Death, 1788. Lucius Junius Brutus orchestrated a revolt to overthrow the last king of Rome and establish the Roman Republic in 509 BCE. Never again, Brutus decreed, would one man rule over the Roman people. However, in an act of defiance the brothers of Brutus’s wife Vitellia, and Brutus’s sons, Titus Junius and Tiberius Junius, secretly plotted to restore the monarchy. Their machinations were discovered and the consuls sentenced the traitors to death. Brutus was ordered to witness his sons’ executions; his stoic acceptance of their gruesome murder and his devotion to the Republic over his family became the powerful moral of this bloody tale. Brutus Condemning His Sons To Death, 1788. Creator: Guillaume Lethiere. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE POWER OF JUSTICE, C1788. CREATOR: GEORGE MORLAND.

The Power Of Justice, c1788. Shows a poor weaver being taken to debtor’s prison by an officer of the law. The weaver is leaving behind his distressed wife and two children, one of whom buries her face in her mother’s skirts. The Power Of Justice, c1788. Creator: George Morland. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

BROTHERLY LOVE, MODELED 1886-87. CREATOR: GEORGE GREY BARNARD.

Brotherly Love, modeled 1886-87. Brotherly Love, modeled 1886-87. Creator: George Grey Barnard. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

MUSICAL GROUP, 1821. CREATOR: FRANCOIS-JOSEPH NAVEZ.

Musical Group, 1821. A man playing a mandolin gazes ardently at an attractive young woman seated on her mother’s lap. The older woman looks down at a child with a tambourine, who in turn stares at the man's hands. Musical Group, 1821. Creator: Francois-Joseph Navez. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

FAREWELL TO THE WET NURSE, 1776-77. CREATOR: ETIENNE AUBRY.

Farewell To The Wet Nurse, 1776-77. An elegantly dressed mother takes her child from the woman on the left, who has nursed him from early infancy. Placing babies in the care of hired wet nurses—preferably young women from rural areas, as the painting’s rustic setting suggests—was a common practice among wealthy French families in the eighteenth century. The child’s gesture and anguished expression reflect the affectionate relationship that could result from this arrangement. Farewell To The Wet Nurse, 1776-77. Creator: Etienne Aubry. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

INTERIOR AT ARCACHON, 1871. CREATOR: EDOUARD MANET.

Interior At Arcachon, 1871. Manet's wife looks up from her writing to enjoy the view, while her son holds what appears to be a cigarette, seemingly lost in thought. Interior At Arcachon, 1871. Creator: Edouard Manet. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)